This is the truth of a movie with 24 sections and 24 frames per second, and it is also a testament to the world's wishes. Iranian film master Abbas has explored the relationship between static photography and dynamic imagery through countless twists and turns, and has also established a connection between the two forms of artistic expression. As it snowed, a vast expanse of white forest was covered, with smoke rising from the kitchen
This is the truth of a movie with 24 sections and 24 frames per second, and it is also a testament to the world's wishes. Iranian film master Abbas has explored the relationship between static photography and dynamic imagery through countless twists and turns, and has also established a connection between the two forms of artistic expression. As it snowed, a vast expanse of white forest was covered, with smoke rising from the kitchen