Liu Biqian tasted the style of MGM's large-scale production for the first time, and all his brushstrokes were even more brilliant. The open scene and unprecedented display allow the characters to freely open up inside and outside: the widow's heart appears even more lonely, and the love between men and women has nowhere to be placed. The widow, who owns most of the wealth of a small country, suddenly wants to move to Paris to find a new way of life, and the king is afraid of it
Liu Biqian tasted the style of MGM's large-scale production for the first time, and all his brushstrokes were even more brilliant. The open scene and unprecedented display allow the characters to freely open up inside and outside: the widow's heart appears even more lonely, and the love between men and women has nowhere to be placed. The widow, who owns most of the wealth of a small country, suddenly wants to move to Paris to find a new way of life, and the king is afraid of it