Performing in Spring
5.0
乔瓦娜·拉利阿尔贝托·拉图瓦达朱丽叶塔·马西纳维托里奥·卡布里奥利贾科莫·富里亚Silvio·BagoliniMarco·Tulli弗兰卡·瓦莱里雷纳托·马拉瓦热Dante·Maggio福尔科·卢利佩皮诺·德·菲利波Vanja·OricoChecco·DuranteCarlo·Romano阿尔贝托·博努奇Michele·Malaspina约翰·奇兹米勒Fanny·Marchiò朱利奥·卡利卡拉·德尔·波吉奥Gina·Mascetti
This movie has a strong neorealistic style, which is basically different from Fellini's lively mid to late stage. It uses documentary techniques to tell a love story, with a simple structure and often uses long shots. The content of the film is in line with the impoverished social reality of post-war Italy. This film is also Fellini's first time with his wife
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Content Introduction
This movie has a strong neorealistic style, which is basically different from Fellini's lively mid to late stage. It uses documentary techniques to tell a love story, with a simple structure and often uses long shots. The content of the film is in line with the impoverished social reality of post-war Italy. This film is also Fellini's first time with his wife